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Pictures for a Wreath

The Venerable Bede

The Venerable Bede, hard at work

The first name I thought of for my Day of the Dead wreath was The Venerable Bede, author of  The Ecclesiastical History of the English Nation, who died in 782. He began the book by asking for his readers to pray for his soul. It gave me a little shock, reading that humble request, as I rushed through my assignment for an Old English class. Bede is a hero to me for being a scholar in eighth century England, then a remote part of the Christian world, for carefully listing his sources, and for preserving so much detail about the times, especially the two centuries  following Augustine of Canterbury’s arrival as a missionary in 597.

Who are your illustrious dead?

Halloween Wreaths

Halloween Decorations Houston

Halloween Decorations, Houston, October 3

 I’m beginning to see Halloween decorations at some of the houses I pass on my walks with my dog, Trotter.

Connect Learning tutor Hector Garcia has a wall festooned with the wreaths his father-in-law is making to sell for El Día de Todos Los Santos, November 1, when people in Guatemala clean the graves of their family members and decorate them with wreaths and flowers.

I want to make a Day of the Dead wreath with black and white ribbons and pictures of a few saints and the illustrious dead whom it makes me happy to remember.

Tonight I collected pictures of the people I remembered first. (My “rule” is to include only people who come readily to mind, for example, William Butler Yeats, a favorite poet.) While looking at his pictures, I came across an audio of Yeats reading The Lake Isle of Innisfree. Get ready to let a breeze blow through your mind. Yeats’s way of reading his poems is distinct.

To Cross the Face of the Moon

Mariachi Vargas de Tecalitlan

José Pepe Martínez, composer and violinist, singing with Steven Sandoval

From an article on www.29-95.com by Everett Evans, theater reviewer for the Houston Chronicle

Two musical traditions with avid international followings will get together when Houston Grand Opera, Mariachi Vargas de Tecalitlán and Talento Bilingue de Houston collaborate on the world premiere of the first mariachi opera.

To Cross the Face of the Moon/Cruzar la Cara de la Luna will premiere with a concert staging Nov. 13 at Wortham Center, featuring Mariachi Vargas, the pre-eminent mariachi ensemble, in its only 2010 Houston performance.

Four fully staged performances will follow Dec. 3-5 at Talento Bilingue, Houston’s multi-disciplinary Latino cultural arts center, with the same HGO vocal cast, but with a different mariachi ensemble from Texas.

“We are proud to combine efforts with HGO to bring a world-class performance for a multi-diverse and multi-cultural audience to the heart of Houston’s East end,” says Juan Esquivel, President and CEO of Talento Bilingüe de Houston. “This event marries the magic of culture and song in a premiere stage engagement celebrating Houston’s Latin community.”

Read more, including quotes from José Pepe Martínez who wrote the music and Leonard Foglia who wrote the book and the lyrics.

See José “Pepe” Martínez y el Mariachi Vargas de Tecalitlán, playing and singing “Volver, Volver” in Japan in August 2007 .  What a charming performance!

Cruzar la Cara de la Luna

Jose "Pepe" Martinez performing in a huge sombrero

José "Pepe" Martínez, compositor de Cruzar la Cara de la Luna

La compañía Houston Grand Opera (HGO) presentará su estreno mundial número cuarenta y uno, Cruzar la Cara de la Luna (To Cross the Face of the Moon), comisionado por la HGO, a través de su proyecto Song of Houston. 

Con música de José “Pepe” Martínez, director musical del Mariachi Vargas de Tecalitlán, libreto del aclamado director y autor de Broadway Leonard Foglia, la ópera se presentará en un concierto con un elenco que incluye a la mezzosoprano Cecilia Duarte, el barítono y ex alumno del estudio de la propia HGO, Octavio Moreno, y Martínez, junto al Mariachi Vargas de Tecalitlán, el sábado 13 de noviembre de 2010, en el Wortham Theater Center en Houston, Texas. Esta será la única presentación del Mariachi Vargas de Tecalitlán en Houston en el año 2010. 

En diciembre puede asistir a cuatro representaciones completamente realizadas en el centro de Talento Bilingüe de Houston, un centro de arte de cultura latina en Houston, con los mismos cantantes, pero con un grupo de mariachi de Texas.

La nueva ópera es la idea del director general y presidente de la HGO, Anthony Freud, quien asistió a una presentación del Mariachi Vargas de Tecalitlán y quedó impresionado con las resonancias que existen entre las tradiciones de la música de mariachi y la ópera. “Las arias de la ópera y las canciones de mariachi narran historias de amor y pérdida, familia y país; a través de la música dirigen sus narrativas directo al corazón”, dijo Freud. “Me pareció que ambas tradiciones se ajustan a la perfección. 

“Quería asegurarme de que se respetaría la integridad de ambas tradiciones en la pieza musical que íbamos a crear, así que fue también natural pedirle a Pepe Martínez que la compusiera, debido a la profunda influencia que él ha tenido en el repertorio musical del mariachi contemporáneo, y pedirle a Leonard Foglia, quien se destaca por su estilo realmente operístico de cuentista y teatralidad, que escribiera la letra”. Agregó: “Estoy encantado de tener el honor de presentar el estreno a nivel mundial con el Mariachi Vargas de Tecalitlán, quienes son los ejecutores supremos del arte de la música de mariachi”. 

Comunicado de Prensa de Houston Grand Opera

Reasoning Mind: the Genie Delivers

 

The Reasoning Mind Genie

The Genie at the Heart of the Reasoning Mind

Reasoning Mind is a recent graduate of the Houston Technology Center, which Forbes Magazine included in a handful of technology incubators making things happen for companies with innovations that might make a difference.

Alexander R. Khachatryan and his wife Julia founded Reasoning Mind to transform the teaching of mathematics in U. S. elementary and middle schools. Having emigrated from Russia, they were familiar with the successful mathematics curriculum used there, which China and several other Asian countries have successfully adopted.

Their son George’s dispiriting school experiences left him bored and them dismayed. They supplemented his learning, and at 16 he helped in the innovative process that led to a highly interactive and individualized curriculum, developed by a team of Russian programmers, but creatively designed for American elementary and middle school students. Reasoning Mind delivers the highly individualized curriculumon  each student’s computer via internet. One of the main ingredients of the program’s rigidly tested success is an animated character, the Genie.

The Genie explains theory, poses problems at the student’s current level, explains why answers are right, explains why answers are wrong, cheerfully urges the student to keep working hard, expresses delight, and awards points that buy prizes.

To dig into the RM story and methodology, take a look at two movies on the Reasoning Mind site that show clips from the system and interviews with students, teachers, principals, experts, and an key sponsor. I really liked to see the children’s faces light up when they talked about the Genie and hearing them say they liked the method more even though they had to work much harder.

My prediction is that Reasoning Mind will continue to get the powerful sponsorship it needs to get their system widely adopted from many contributors, including U. S. companies that need minds trained in solving hard problems. Then we’ll see the adults who as children worked through pounds of SRA packets, learning little, demand a system that works to challenge their minds.

The Genie graphic is a cropped screen capture from one of the RM movies I’ve recommended.

Commenting on Video in Adobe Acrobat

Ali Hanyaloglu

Ali Hanyaloglu knows Acrobat

 

Ali Hanyaloglu is an Adobe Acrobat evanglist I’ve had the pleasure of seeing in action at Adobe events. He has a gift I greatly prize, the gift of clarity.

You can find his brief tutorial on adding comments to video embedded in an Acrobat document on the Adobe Video Workshop listing. Just choose Acrobat 9 Family and find it on the list. This is just one example of the resources, some basic and some advanced, that you can find poking around on the Adobe site.

I was surprised at first at the idea that one would comment on a video embedded in a PDF. But as Ali went through and made a comment and a mark up, I realized that corporate videos for a promo PDF they expect to be downloaded might start off as a video rough draft  and then tweaked until it’s just right. It might also have to go through a series of approvals.

How convenient to have Acrobat add a precise time stamp to the sticky note for you, to be able to scrub through to the next item you want to tag, and to get the familiar and convenient list of comments at the bottom of the page, again with the time stamp noted.

Wired on High Speed Video

From a blog by Brandon Keim
Using high-speed video cameras that capture more than a thousand frames per second, Andrew Mountcastle’s videos reveal an insect ballet hidden to plain sight.

“I refer to high-speed cameras as time microscopes. You see things that you can’t see with your naked eye,” says the Harvard University biologist, who specializes in the flight dynamics of moths.    Read More

I have always loved reading Wired, even if the typography drove me crazy. What’s not to love: stories and articles by Bruce Sterling and Neil Stevenson, influence of my culture hero Stewart Brand, the creator-publisher of the Whole Earth Catalog, new technology,and  new tech toys.

Heading Towards a Billion Dollars

Adobe CEO Shantanu Narayen

Adobe Pres. and CEO Shantanu Narayen

I love to be wrong, sometimes. I didn’t think Adobe’s Creative Suite 5 would sell briskly, given our sluggish economy. I certainly never expected that Adobe would bring in third-quarter revenue flirting with one billion dollars. Adobe reported revenue of $990.3 million compared to $697.5 million reported for the third quarter of fiscal 2009, a 42% growth in revenue.

And this wasn’t just growth, but profitable growth. GAAP* net income was $230.1 million compared to $136.0 million reported in the third quarter of 2009. Adobe president and CEO Shantanu Narayen, credited “strong performance in each of our major businesses.”

Adobe projects similar results for the fourth quarter due to “Adobe’s long-term role in enabling the transformation of content and applications across industries.” Is this a new, expanded view of the company’s role? If so, can anyone help me figure out what it means?

*Generally Accepted Accounting Practices               Photo by Stephen Shankland/CNET Networks, taken at Adobe MAX 2009

HTML5 Pack for Adobe Illustrator CS5

Adobe’s HTML5 Pack for Adobe® Illustrator® CS5 provides initial support for HTML5 and CSS3 and extends the scalable vector graphics (SVG) capability in Illustrator, making it easier to design, deliver and optimize compelling content for mobile devices and the web.

The HTML5 Pack lets web designers and developers take advantage of the latest advances in HTML5 through enhanced integration between Illustrator CS5 and Adobe® Dreamweaver® CS5 software. SVG generated by Illustrator can be displayed directly in compatible browsers and Illustrator can be used to generate CSS code for styling of HTML content.

The HTML5 Pack for Illustrator CS5 is immediately available on Adobe Labs as a free download.

The download includes a user guide.

To get an exhilarating glimpse of what you’ll be enable to do, see Adobe Evangelist Greg Rewis’s excellent video introduction to the HTML5 Pack.

Impatient InDesign 2

Adobe Garamond Pro Alphabet and Numbers

 

David Place recommended a different font for our printed correspondence, Adobe Garamond Pro. It’s the beautiful serif font above.

I also learned that the logo image and my signature image aren’t sharp enough for print via InDesign. Fortunately, I do have a higher-res version of our logo, and I have vowed to write a big beautiful signature and take it to be scanned. My 3-in-1 printer does a good job printing and copying, but it balks at scanning.

David taught me how to make two different master pages, and showed me several times how to tell if I was choosing a page or a Master page. He also figured out what had been going wrong when I tried to add text. I now do columns.  And I’ve escaped from an endless loop of doing things “logically.”

Today’s wisdom: What I learned using other desktop publishing tools is a hindrance as well as a help. I have to forget what I think I know in order to learn to do things the InDesign way.

Click here to see David Place’s profile.

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